转场片段之一，H3
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我是来乱的。。。。
提示词：
Masterpiece, movie transition video, continuous endless zoom-in camera movement. Starting with a macro shot zooming into a person's black sunglasses reflection, seamlessly transitioning into a cyberpunk megacity with neon holographic billboards and flying cars. Camera keeps moving forward, zooming into a second person's retro black sunglasses on the cyberpunk street, flawlessly piercing through the lens to reveal a nostalgic 1980s Hong Kong street with warm moody lighting and double-decker buses. The camera never stops, deeply zooming into a driver's aviator sunglasses on the Hong Kong street, seamlessly transitioning into a wide shot of an epic desert highway road trip down Route 66. Camera maintains steady forward momentum, zooming into a pedestrian's round black sunglasses by the road, the lens reflection warps like ripples into swirling liquid colors, opening up into a surreal psychedelic dreamscape with melting clocks. Finally, the camera thrusts forward into sci-fi black goggles within the dream, flashing bright green UI scanning lines, seamlessly diving deep into an endless 3D digital matrix space with flowing cyber grids and energetic light streaks. Flawless transitions throughout, hyper-realistic, 8k resolution, cinematic motion blur, immersive visual journey.整合提示詞的設計邏輯與轉場順序：
為了讓 AI 理解這是一段連續的長鏡頭，提示詞內部建立了一條「墨鏡 ➔ 場景 ➔ 場景中新人物的墨鏡 ➔ 下一個場景」的循環遞進邏輯：
- 起點：從初始人物的黑色墨鏡反射出發。
- 第一段穿梭：穿過墨鏡 ➔ 進入【賽博朋克都市】。
- 第二段穿梭：鏡頭在賽博都市中推進，鎖定新人物的粗框墨鏡 ➔ 穿過鏡片進入【80年代復古香港街頭】。
- 第三段穿梭：鏡頭在香港街頭繼續前推，鎖定司機的飛行員墨鏡 ➔ 穿過鏡片進入【美國66號荒漠公路】。
- 第四段穿梭：鏡頭在公路旁前推，鎖定路人的圓框墨鏡，鏡面化為彩色水波 ➔ 穿過水波進入【達利風迷幻幾何空間】。
- 第五段穿梭：鏡頭在迷幻空間中最後衝刺，衝入未來科技防護鏡 ➔ 最終進入【3D虛擬數位矩陣空間】結尾。
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我是来乱的。。。。
提示词：
Masterpiece, movie transition video, continuous endless zoom-in camera movement. Starting with a macro shot zooming into a person's black sunglasses reflection, seamlessly transitioning into a cyberpunk megacity with neon holographic billboards and flying cars. Camera keeps moving forward, zooming into a second person's retro black sunglasses on the cyberpunk street, flawlessly piercing through the lens to reveal a nostalgic 1980s Hong Kong street with warm moody lighting and double-decker buses. The camera never stops, deeply zooming into a driver's aviator sunglasses on the Hong Kong street, seamlessly transitioning into a wide shot of an epic desert highway road trip down Route 66. Camera maintains steady forward momentum, zooming into a pedestrian's round black sunglasses by the road, the lens reflection warps like ripples into swirling liquid colors, opening up into a surreal psychedelic dreamscape with melting clocks. Finally, the camera thrusts forward into sci-fi black goggles within the dream, flashing bright green UI scanning lines, seamlessly diving deep into an endless 3D digital matrix space with flowing cyber grids and energetic light streaks. Flawless transitions throughout, hyper-realistic, 8k resolution, cinematic motion blur, immersive visual journey.整合提示詞的設計邏輯與轉場順序：
為了讓 AI 理解這是一段連續的長鏡頭，提示詞內部建立了一條「墨鏡 ➔ 場景 ➔ 場景中新人物的墨鏡 ➔ 下一個場景」的循環遞進邏輯：
- 起點：從初始人物的黑色墨鏡反射出發。
- 第一段穿梭：穿過墨鏡 ➔ 進入【賽博朋克都市】。
- 第二段穿梭：鏡頭在賽博都市中推進，鎖定新人物的粗框墨鏡 ➔ 穿過鏡片進入【80年代復古香港街頭】。
- 第三段穿梭：鏡頭在香港街頭繼續前推，鎖定司機的飛行員墨鏡 ➔ 穿過鏡片進入【美國66號荒漠公路】。
- 第四段穿梭：鏡頭在公路旁前推，鎖定路人的圓框墨鏡，鏡面化為彩色水波 ➔ 穿過水波進入【達利風迷幻幾何空間】。
- 第五段穿梭：鏡頭在迷幻空間中最後衝刺，衝入未來科技防護鏡 ➔ 最終進入【3D虛擬數位矩陣空間】結尾。
我是来乱的。。。。
提示词：
Masterpiece, movie transition video, continuous endless zoom-in camera movement. Starting with a macro shot zooming into a person's black sunglasses reflection, seamlessly transitioning into a cyberpunk megacity with neon holographic billboards and flying cars. Camera keeps moving forward, zooming into a second person's retro black sunglasses on the cyberpunk street, flawlessly piercing through the lens to reveal a nostalgic 1980s Hong Kong street with warm moody lighting and double-decker buses. The camera never stops, deeply zooming into a driver's aviator sunglasses on the Hong Kong street, seamlessly transitioning into a wide shot of an epic desert highway road trip down Route 66. Camera maintains steady forward momentum, zooming into a pedestrian's round black sunglasses by the road, the lens reflection warps like ripples into swirling liquid colors, opening up into a surreal psychedelic dreamscape with melting clocks. Finally, the camera thrusts forward into sci-fi black goggles within the dream, flashing bright green UI scanning lines, seamlessly diving deep into an endless 3D digital matrix space with flowing cyber grids and energetic light streaks. Flawless transitions throughout, hyper-realistic, 8k resolution, cinematic motion blur, immersive visual journey.整合提示詞的設計邏輯與轉場順序：
為了讓 AI 理解這是一段連續的長鏡頭，提示詞內部建立了一條「墨鏡 ➔ 場景 ➔ 場景中新人物的墨鏡 ➔ 下一個場景」的循環遞進邏輯：
- 起點：從初始人物的黑色墨鏡反射出發。
- 第一段穿梭：穿過墨鏡 ➔ 進入【賽博朋克都市】。
- 第二段穿梭：鏡頭在賽博都市中推進，鎖定新人物的粗框墨鏡 ➔ 穿過鏡片進入【80年代復古香港街頭】。
- 第三段穿梭：鏡頭在香港街頭繼續前推，鎖定司機的飛行員墨鏡 ➔ 穿過鏡片進入【美國66號荒漠公路】。
- 第四段穿梭：鏡頭在公路旁前推，鎖定路人的圓框墨鏡，鏡面化為彩色水波 ➔ 穿過水波進入【達利風迷幻幾何空間】。
- 第五段穿梭：鏡頭在迷幻空間中最後衝刺，衝入未來科技防護鏡 ➔ 最終進入【3D虛擬數位矩陣空間】結尾。
大佬可以呀。
主要是我给的提示词已经很不错了。一开始也有能勉强看的视频，比如05，09这种。但是现实逻辑不对呀。哪有长椅在马路中间的
我现在不知道是seed出问题了。还是提示词出问题。
Hermes傻逼了，现在总是给我侧身画面，我说了一万遍，都是给我侧身。。。。。我人麻了。 -
我是来乱的。。。。
提示词：
Masterpiece, movie transition video, continuous endless zoom-in camera movement. Starting with a macro shot zooming into a person's black sunglasses reflection, seamlessly transitioning into a cyberpunk megacity with neon holographic billboards and flying cars. Camera keeps moving forward, zooming into a second person's retro black sunglasses on the cyberpunk street, flawlessly piercing through the lens to reveal a nostalgic 1980s Hong Kong street with warm moody lighting and double-decker buses. The camera never stops, deeply zooming into a driver's aviator sunglasses on the Hong Kong street, seamlessly transitioning into a wide shot of an epic desert highway road trip down Route 66. Camera maintains steady forward momentum, zooming into a pedestrian's round black sunglasses by the road, the lens reflection warps like ripples into swirling liquid colors, opening up into a surreal psychedelic dreamscape with melting clocks. Finally, the camera thrusts forward into sci-fi black goggles within the dream, flashing bright green UI scanning lines, seamlessly diving deep into an endless 3D digital matrix space with flowing cyber grids and energetic light streaks. Flawless transitions throughout, hyper-realistic, 8k resolution, cinematic motion blur, immersive visual journey.整合提示詞的設計邏輯與轉場順序：
為了讓 AI 理解這是一段連續的長鏡頭，提示詞內部建立了一條「墨鏡 ➔ 場景 ➔ 場景中新人物的墨鏡 ➔ 下一個場景」的循環遞進邏輯：
- 起點：從初始人物的黑色墨鏡反射出發。
- 第一段穿梭：穿過墨鏡 ➔ 進入【賽博朋克都市】。
- 第二段穿梭：鏡頭在賽博都市中推進，鎖定新人物的粗框墨鏡 ➔ 穿過鏡片進入【80年代復古香港街頭】。
- 第三段穿梭：鏡頭在香港街頭繼續前推，鎖定司機的飛行員墨鏡 ➔ 穿過鏡片進入【美國66號荒漠公路】。
- 第四段穿梭：鏡頭在公路旁前推，鎖定路人的圓框墨鏡，鏡面化為彩色水波 ➔ 穿過水波進入【達利風迷幻幾何空間】。
- 第五段穿梭：鏡頭在迷幻空間中最後衝刺，衝入未來科技防護鏡 ➔ 最終進入【3D虛擬數位矩陣空間】結尾。
大佬可以呀。
主要是我给的提示词已经很不错了。一开始也有能勉强看的视频，比如05，09这种。但是现实逻辑不对呀。哪有长椅在马路中间的
我现在不知道是seed出问题了。还是提示词出问题。
Hermes傻逼了，现在总是给我侧身画面，我说了一万遍，都是给我侧身。。。。。我人麻了。 -
看看能够调出hermes 给h3 的提示词吗？我看看帮你改
看看能够调出hermes 给h3 的提示词吗？我看看帮你改
这是当前最新的提示词（航拍下摇 → 落地 → 推进 → 转脸看镜头），中英文：
英文：
A continuous unbroken single shot: the camera starts as an aerial top-down view high above a bright sunny Manhattan, then slowly and gently descends in one unhurried crane motion toward the roadside of Fifth Avenue, settling directly in front of a woman with black shoulder-length hair and black sunglasses wearing a red long-sleeve top sitting on a wooden bench placed on the sidewalk right by the curb, clearly at the roadside, absolutely not in the middle of the road, seated at one end of the bench. She faces the camera directly, body completely frontal facing the camera straight on, head fully frontal, absolutely no side profile, no three-quarter view, do not turn the body or head to either side. Her head is tilted slightly away at first, looking to the side, then as the camera very slowly pushes in closer, at the very end she slowly turns her head back to stare straight into the lens, ending the shot looking directly at the camera. Stern serious unsmiling expression, no smile. Busy sidewalk with pedestrians walking past, background slightly blurred. Golden warm sunlight, photorealistic, cinematic film look, shallow depth of field, one single continuous unbroken camera movement, absolutely no cuts, no jump cuts, no scene change, the camera glides in one slow unbroken take from start to finish, no map grid, no text, no watermark
中文：
一个连续不断的一镜到底镜头：镜头从明亮的曼哈顿上空的高空俯视开始，然后以舒缓、从容的摇臂运动缓缓下降，朝第五大道路边落下，最终正对一位坐在木质长椅上的女子——她黑色及肩发、戴黑色墨镜、穿红色长袖上衣；长椅摆放在路缘石旁的人行道上，明确在路边，绝不在马路中间，她坐在长椅的一端。她正面朝向镜头，身体完全正对镜头，头部完全正对，绝无侧面、绝无四分之三角度，身体或头不转向任何一侧。起初她的头微微偏向一侧、看向旁边，随着镜头非常缓慢地推进靠近，在最后她缓缓把头转回、直直凝视镜头，以直视镜头收尾。表情严肃、不苟言笑、不笑。繁忙的人行道上行人往来，背景略微虚化。金色温暖阳光，照片级真实感，电影质感，浅景深，一个单一连续不断的运镜，绝无剪辑、绝无跳切、绝无场景切换，镜头从头到尾缓慢连贯一气呵成，无地图网格、无文字、无水印。
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看看能够调出hermes 给h3 的提示词吗？我看看帮你改
这是当前最新的提示词（航拍下摇 → 落地 → 推进 → 转脸看镜头），中英文：
英文：
A continuous unbroken single shot: the camera starts as an aerial top-down view high above a bright sunny Manhattan, then slowly and gently descends in one unhurried crane motion toward the roadside of Fifth Avenue, settling directly in front of a woman with black shoulder-length hair and black sunglasses wearing a red long-sleeve top sitting on a wooden bench placed on the sidewalk right by the curb, clearly at the roadside, absolutely not in the middle of the road, seated at one end of the bench. She faces the camera directly, body completely frontal facing the camera straight on, head fully frontal, absolutely no side profile, no three-quarter view, do not turn the body or head to either side. Her head is tilted slightly away at first, looking to the side, then as the camera very slowly pushes in closer, at the very end she slowly turns her head back to stare straight into the lens, ending the shot looking directly at the camera. Stern serious unsmiling expression, no smile. Busy sidewalk with pedestrians walking past, background slightly blurred. Golden warm sunlight, photorealistic, cinematic film look, shallow depth of field, one single continuous unbroken camera movement, absolutely no cuts, no jump cuts, no scene change, the camera glides in one slow unbroken take from start to finish, no map grid, no text, no watermark
中文：
一个连续不断的一镜到底镜头：镜头从明亮的曼哈顿上空的高空俯视开始，然后以舒缓、从容的摇臂运动缓缓下降，朝第五大道路边落下，最终正对一位坐在木质长椅上的女子——她黑色及肩发、戴黑色墨镜、穿红色长袖上衣；长椅摆放在路缘石旁的人行道上，明确在路边，绝不在马路中间，她坐在长椅的一端。她正面朝向镜头，身体完全正对镜头，头部完全正对，绝无侧面、绝无四分之三角度，身体或头不转向任何一侧。起初她的头微微偏向一侧、看向旁边，随着镜头非常缓慢地推进靠近，在最后她缓缓把头转回、直直凝视镜头，以直视镜头收尾。表情严肃、不苟言笑、不笑。繁忙的人行道上行人往来，背景略微虚化。金色温暖阳光，照片级真实感，电影质感，浅景深，一个单一连续不断的运镜，绝无剪辑、绝无跳切、绝无场景切换，镜头从头到尾缓慢连贯一气呵成，无地图网格、无文字、无水印。
這個問題是 AI 影片生成模型常出現的**「語意混淆」與「過度強調負面詞」**所導致的。
當你在提示詞中寫了 absolutely not in the middle of the road（絕對不在馬路中間）時，AI 的注意力機制反而會捕捉到 middle of the road 這個高頻詞，進而把椅子放到了馬路中央。另外，原本的提示詞結構較長，馬路、長椅和行人的空間關係不夠明確。
為了讓 MiniMax H3 能精準理解「長椅在人行道上，馬路在背景/旁邊」，我幫你重新優化了這段提示詞。我們將空間佈局改為正向肯定句，並強化了空間的層次感（人行道 ➔ 路緣 ➔ 車道）。
️ 優化後的 MiniMax H3 專用提示詞A continuous unbroken single-take crane shot. The camera begins as a high aerial top-down view above sunny Manhattan, then smoothly and slowly descends toward the wide pedestrian sidewalk of Fifth Avenue. The camera settles right on the sidewalk, directly facing a woman with black shoulder-length hair and black sunglasses, wearing a red long-sleeve top. She is seated at one end of a wooden bench that is positioned securely on the wide concrete sidewalk next to a building wall. The bustling sidewalk is filled with pedestrians walking past, while the busy driving street with cars is strictly in the background behind the sidewalk. The woman faces the camera perfectly frontal, body and head fully straight on, no side profile, no angled view. Her head is tilted slightly away looking toward the side at first, then as the camera very slowly pushes into a closer shot, she slowly turns her head back to stare directly into the camera lens with a stern, serious, unsmiling expression. Golden warm sunlight, photorealistic cinematic film look, shallow depth of field, one single seamless continuous camera movement, no cuts, no scene change, no text, no watermark.
關鍵優化解析（為什麼這樣改？）：- 剔除負面詞，改用「絕對定位」：刪除了 absolutely not in the middle of the road，改用 positioned securely on the wide concrete sidewalk next to a building wall（牢固地安置在靠近建築物牆面的寬闊水泥人行道上）。這樣能給 AI 一個極其明確的物理參照物（牆面），強迫長椅遠離馬路。
- 明確分開「人行道」與「車道」的空間層次：使用 The bustling sidewalk is filled with pedestrians... while the busy driving street with cars is strictly in the background。明確告訴 AI，馬路和車輛只能作為「背景」存在於人行道後方。
- 優化鏡頭動態的連貫性描述：將開頭改為 A continuous unbroken single-take crane shot，並在中間補強 settles right on the sidewalk，引導 MiniMax H3 的鏡頭從空中降落時，直接把「落脚點」鎖定在人行道上，而不是降落到馬路中央。
你可以直接將這段優化後的提示詞投入 MiniMax H3 測試。如果生成後發現背景的馬路車流依然太過干擾，我們可以嘗試把場景換到沒有車道交匯的純人行步道或公園邊緣，你需要我朝這個方向幫你做備用調整嗎？
-
-
-
這個問題是 AI 影片生成模型常出現的**「語意混淆」與「過度強調負面詞」**所導致的。
當你在提示詞中寫了 absolutely not in the middle of the road（絕對不在馬路中間）時，AI 的注意力機制反而會捕捉到 middle of the road 這個高頻詞，進而把椅子放到了馬路中央。另外，原本的提示詞結構較長，馬路、長椅和行人的空間關係不夠明確。
為了讓 MiniMax H3 能精準理解「長椅在人行道上，馬路在背景/旁邊」，我幫你重新優化了這段提示詞。我們將空間佈局改為正向肯定句，並強化了空間的層次感（人行道 ➔ 路緣 ➔ 車道）。️ 優化後的 MiniMax H3 專用提示詞A continuous unbroken single-take crane shot. The camera begins as a high aerial top-down view above sunny Manhattan, then smoothly and slowly descends toward the wide pedestrian sidewalk of Fifth Avenue. The camera settles right on the sidewalk, directly facing a woman with black shoulder-length hair and black sunglasses, wearing a red long-sleeve top. She is seated at one end of a wooden bench that is positioned securely on the wide concrete sidewalk next to a building wall. The bustling sidewalk is filled with pedestrians walking past, while the busy driving street with cars is strictly in the background behind the sidewalk. The woman faces the camera perfectly frontal, body and head fully straight on, no side profile, no angled view. Her head is tilted slightly away looking toward the side at first, then as the camera very slowly pushes into a closer shot, she slowly turns her head back to stare directly into the camera lens with a stern, serious, unsmiling expression. Golden warm sunlight, photorealistic cinematic film look, shallow depth of field, one single seamless continuous camera movement, no cuts, no scene change, no text, no watermark.
關鍵優化解析（為什麼這樣改？）：- 剔除負面詞，改用「絕對定位」：刪除了 absolutely not in the middle of the road，改用 positioned securely on the wide concrete sidewalk next to a building wall（牢固地安置在靠近建築物牆面的寬闊水泥人行道上）。這樣能給 AI 一個極其明確的物理參照物（牆面），強迫長椅遠離馬路。
- 明確分開「人行道」與「車道」的空間層次：使用 The bustling sidewalk is filled with pedestrians... while the busy driving street with cars is strictly in the background。明確告訴 AI，馬路和車輛只能作為「背景」存在於人行道後方。
- 優化鏡頭動態的連貫性描述：將開頭改為 A continuous unbroken single-take crane shot，並在中間補強 settles right on the sidewalk，引導 MiniMax H3 的鏡頭從空中降落時，直接把「落脚點」鎖定在人行道上，而不是降落到馬路中央。
你可以直接將這段優化後的提示詞投入 MiniMax H3 測試。如果生成後發現背景的馬路車流依然太過干擾，我們可以嘗試把場景換到沒有車道交匯的純人行步道或公園邊緣，你需要我朝這個方向幫你做備用調整嗎？
這個問題是 AI 影片生成模型常出現的**「語意混淆」與「過度強調負面詞」**所導致的。
當你在提示詞中寫了 absolutely not in the middle of the road（絕對不在馬路中間）時，AI 的注意力機制反而會捕捉到 middle of the road 這個高頻詞，進而把椅子放到了馬路中央。另外，原本的提示詞結構較長，馬路、長椅和行人的空間關係不夠明確。
為了讓 MiniMax H3 能精準理解「長椅在人行道上，馬路在背景/旁邊」，我幫你重新優化了這段提示詞。我們將空間佈局改為正向肯定句，並強化了空間的層次感（人行道 ➔ 路緣 ➔ 車道）。️ 優化後的 MiniMax H3 專用提示詞A continuous unbroken single-take crane shot. The camera begins as a high aerial top-down view above sunny Manhattan, then smoothly and slowly descends toward the wide pedestrian sidewalk of Fifth Avenue. The camera settles right on the sidewalk, directly facing a woman with black shoulder-length hair and black sunglasses, wearing a red long-sleeve top. She is seated at one end of a wooden bench that is positioned securely on the wide concrete sidewalk next to a building wall. The bustling sidewalk is filled with pedestrians walking past, while the busy driving street with cars is strictly in the background behind the sidewalk. The woman faces the camera perfectly frontal, body and head fully straight on, no side profile, no angled view. Her head is tilted slightly away looking toward the side at first, then as the camera very slowly pushes into a closer shot, she slowly turns her head back to stare directly into the camera lens with a stern, serious, unsmiling expression. Golden warm sunlight, photorealistic cinematic film look, shallow depth of field, one single seamless continuous camera movement, no cuts, no scene change, no text, no watermark.
關鍵優化解析（為什麼這樣改？）：- 剔除負面詞，改用「絕對定位」：刪除了 absolutely not in the middle of the road，改用 positioned securely on the wide concrete sidewalk next to a building wall（牢固地安置在靠近建築物牆面的寬闊水泥人行道上）。這樣能給 AI 一個極其明確的物理參照物（牆面），強迫長椅遠離馬路。
- 明確分開「人行道」與「車道」的空間層次：使用 The bustling sidewalk is filled with pedestrians... while the busy driving street with cars is strictly in the background。明確告訴 AI，馬路和車輛只能作為「背景」存在於人行道後方。
- 優化鏡頭動態的連貫性描述：將開頭改為 A continuous unbroken single-take crane shot，並在中間補強 settles right on the sidewalk，引導 MiniMax H3 的鏡頭從空中降落時，直接把「落脚點」鎖定在人行道上，而不是降落到馬路中央。
你可以直接將這段優化後的提示詞投入 MiniMax H3 測試。如果生成後發現背景的馬路車流依然太過干擾，我們可以嘗試把場景換到沒有車道交匯的純人行步道或公園邊緣，你需要我朝這個方向幫你做備用調整嗎？
大佬，怎么感觉提示词也不过是抽奖的一部分？
-
這個問題是 AI 影片生成模型常出現的**「語意混淆」與「過度強調負面詞」**所導致的。
當你在提示詞中寫了 absolutely not in the middle of the road（絕對不在馬路中間）時，AI 的注意力機制反而會捕捉到 middle of the road 這個高頻詞，進而把椅子放到了馬路中央。另外，原本的提示詞結構較長，馬路、長椅和行人的空間關係不夠明確。
為了讓 MiniMax H3 能精準理解「長椅在人行道上，馬路在背景/旁邊」，我幫你重新優化了這段提示詞。我們將空間佈局改為正向肯定句，並強化了空間的層次感（人行道 ➔ 路緣 ➔ 車道）。️ 優化後的 MiniMax H3 專用提示詞A continuous unbroken single-take crane shot. The camera begins as a high aerial top-down view above sunny Manhattan, then smoothly and slowly descends toward the wide pedestrian sidewalk of Fifth Avenue. The camera settles right on the sidewalk, directly facing a woman with black shoulder-length hair and black sunglasses, wearing a red long-sleeve top. She is seated at one end of a wooden bench that is positioned securely on the wide concrete sidewalk next to a building wall. The bustling sidewalk is filled with pedestrians walking past, while the busy driving street with cars is strictly in the background behind the sidewalk. The woman faces the camera perfectly frontal, body and head fully straight on, no side profile, no angled view. Her head is tilted slightly away looking toward the side at first, then as the camera very slowly pushes into a closer shot, she slowly turns her head back to stare directly into the camera lens with a stern, serious, unsmiling expression. Golden warm sunlight, photorealistic cinematic film look, shallow depth of field, one single seamless continuous camera movement, no cuts, no scene change, no text, no watermark.
關鍵優化解析（為什麼這樣改？）：- 剔除負面詞，改用「絕對定位」：刪除了 absolutely not in the middle of the road，改用 positioned securely on the wide concrete sidewalk next to a building wall（牢固地安置在靠近建築物牆面的寬闊水泥人行道上）。這樣能給 AI 一個極其明確的物理參照物（牆面），強迫長椅遠離馬路。
- 明確分開「人行道」與「車道」的空間層次：使用 The bustling sidewalk is filled with pedestrians... while the busy driving street with cars is strictly in the background。明確告訴 AI，馬路和車輛只能作為「背景」存在於人行道後方。
- 優化鏡頭動態的連貫性描述：將開頭改為 A continuous unbroken single-take crane shot，並在中間補強 settles right on the sidewalk，引導 MiniMax H3 的鏡頭從空中降落時，直接把「落脚點」鎖定在人行道上，而不是降落到馬路中央。
你可以直接將這段優化後的提示詞投入 MiniMax H3 測試。如果生成後發現背景的馬路車流依然太過干擾，我們可以嘗試把場景換到沒有車道交匯的純人行步道或公園邊緣，你需要我朝這個方向幫你做備用調整嗎？
大佬，怎么感觉提示词也不过是抽奖的一部分？
-
提示词抽奖 + 视频生成抽奖
