抡锤者

@Junjie-Heng 说:

MiniMax H3 怎么让角色在多段视频里更一致，求经验

如果你一直这种静止的话，你设置首尾帧都用同一张参考图，出来的基本就不会变，因为每次都要归位

这样？

m=0.4,预览版，没有放大

嗯，我觉得还是算力问题，如果是原版的模型，不走这些投机取巧的8步、4步，他应该能画得不错，现在的加速已经把这些能做得精致的部分提前结束了，能用，但是不是最佳。

你问出来这个问题其实心中已经有答案了，因为你本身已经拿到好用的东西了，那硬件支持，具有生产力，谁顺手你就用谁

“今天，我就在这里——把它砸碎给你们看！”

暴雨切碎了新东京的霓虹，十二对光翼在高空展开死寂的罗网。
当机械义眼过载到120%，残破的“断齿”巨刃能否斩断高高在上的神域？

这是一段极具张力的日系赛璐璐风格高潮决战！

剧情看点 / Highlight：
极高对比度的湛蓝剑气 vs 血色霓虹光影
120%过载逆流而上，极致视角的折角位移
玻璃碎片与爆炸光斑交织的残破美学

Youtube Video

就是最终还是要烧seeddance的积分才有好效果呗

只能啃着泡面羡慕

第一次生成的时候可能会出错，放到剪映修修补补，添加上背景音乐就ok，看看最终成片
Youtube Video

一、先给AI提需求
写一份无人机快速穿越央视大楼的拍摄画面的MinimaxH3的提示词，要大气环绕视觉，一条15秒，镜头过多用拆分成为2条，所用图片如下：

二、AI返回工作思路以及描述词

央视大楼 无人机穿越 H3 提示词 v1
日期：2026-10-17
主体：CCTV 总部大楼（北京 CBD，两塔内倾、顶部悬挑连接、整体成环）
规格：两条 15 秒，各 362 帧 / 24fps / 16:9
用途：MiniMax H3 Ref2VA 单段生成，后期硬切或首末帧衔接
一、为什么拆成两条
一条 15 秒塞不下完整叙事。真正要讲的是两件事，而且方向相反：
- 第一件是进入：从地面冲到楼上，从外面进到里面，观众被带着穿过去
- 第二件是审视：穿出来之后退开，绕一圈看清这栋楼到底是个什么形状
前者的运动是加速、贴近、穿入；后者是减速、拉开、环绕。两种运动方向在同一个镜头里切换，H3 会在切换点把楼体拧变形。所以拆两条，各自只保留一种主导运动。
拆点选在穿过门洞后减速悬停那一刻。这个点是全片唯一自然的停顿，也是唯一可以硬切而不违和的地方，运动模糊正好掩盖接缝。
二、建筑的硬事实（提示词里必须写死的）
这栋楼是最容易被模型画歪的建筑之一，因为它不是常规塔楼，任何“大概齐”的先验都会出错。以下几条要在每条提示词里重复写：
1. 两栋塔楼向内倾斜，顶部由一段水平悬挑连接，整体是一条连续折带弯成的三维环
2. 两腿之间有一个巨大的矩形洞口，位置在离地一百六十米以上，天空直接穿过去
3. 立面是深蓝灰玻璃幕墙加银灰菱形斜交网格，网格在每一个面上连续、尺度一致
4. 底部是低矮裙房，裙房顶上是白色卫星天线阵列
5. 建筑脚下是高架快速路，车流密集
模型最容易犯的三个错：把洞填上、把两塔画成平行、把网格画成随机碎裂的玻璃。提示词里的 CONSTRAINTS 段专门堵这三个。
三、Clip 1 进入
文件：prompt_clip1_v1.txt
节拍（不写时间码，靠顺序词推进）：
段
内容
运动
1
贴高架路面冲刺，护栏和车道线在近景撕裂而过
低空、加速、向前
2
沿近侧塔楼外立面垂直爬升，网格高速下扫
向上、贴近
3
顶部轻微横滚，从巨型洞口正中穿过
向前、穿过
4
穿出后急减速，悬停在结构内侧，远处塔楼填满画面
减速、停
四段共用一条上升弧线，方向单调，不折返，这是 H3 能扛住的形态。
时间与光照选蓝调时刻。玻璃幕墙在蓝调下会把冷色天空和暖色室内灯混成细密纹理，斜交网格每一格反光都不同，这是这栋楼最好看的时候，也是最能出“大气”的时候。代价是与你给的照片（白天）色温不同，几何仍然一致。
四、Clip 2 环绕
文件：prompt_clip2_v1.txt
节拍：
段
内容
运动
1
贴着内侧悬挑面起手，网格填满全画幅
静止到启动
2
向外侧倾转，开始四分之三环绕
环绕、缓升
3
近塔、悬挑、远塔依次掠过，互相遮挡
环绕
4
拉远升高，整环独立于天际线之上
后退、拉起
关键设计是遮挡揭示：靠前后遮挡产生的视差让观众自己看懂这是三维的环，而不是靠物体自转。这比旋转更高级，也更稳。
末帧固定为居中全景，方便后期接品牌字或标题。

prompt_clip1_v1

An aerial drone shot, cinematic, photorealistic, one continuous take, no cuts.

LOCATION: the CCTV Headquarters in Beijing, the loop building. Two leaning towers, both about two hundred and thirty metres tall, tilt inward toward one another and are joined at the top by a massive horizontal cantilever, so the entire structure reads as one continuous folded ribbon bent into a giant three-dimensional loop, leaving a huge rectangular opening between the two legs high above the ground, with sky passing straight through it. The facade is a dark blue-grey glass curtain wall carried on a silver-grey diagonal diagrid: a regular diamond lattice of mullions, uniform in scale, continuous across every face, each cell reflecting a slightly different piece of the sky. Lower podium blocks hug the base, their flat roofs carrying a scattered cluster of white satellite dishes and antennas. An elevated expressway runs along the foot of the building, packed with traffic, with a green landscaped strip between them.

ENVIRONMENT: blue hour, the last warm band of sun still low on the horizon behind the towers, the sky above deepening to a saturated indigo, thin high cloud catching the residue of daylight. Interior floors are already lit, so hundreds of small warm windows glow through the glass and mix with the cold blue reflection of the sky, giving the facade a fine dense texture of warm and cold cells.

CAMERA: one continuous accelerating flight, the drone is never seen. It begins very low, a few metres above the expressway surface, racing forward parallel to the traffic, the guard rails and lane markings tearing past in the foreground, cars sliding under and beside the lens. Without slowing, the drone pitches up and climbs vertically along the outer face of the nearest leaning tower, the diagrid rushing downward across frame, the building expanding until its lattice fills everything. Near the top the drone rolls slightly and threads straight through the great opening between the two legs, sky filling the frame for a heartbeat, the two inner faces of the towers sliding past on the left and right like a canyon. It emerges on the far side and decelerates hard, the far tower filling the frame ahead, the edge of the cantilever cutting a hard diagonal across the sky, and the shot comes to rest hovering just outside the inner face of the structure, looking along it.

LIGHTING AND ATMOSPHERE: low warm rim light grazing the outer corners of the cantilever, cold blue ambient filling the shadowed inner faces, the diagrid drawing a mesh of fine specular highlights that slide across the surface as the angle changes. A faint haze sits between the towers and the distant skyline, with aircraft warning lights blinking red at the roof corners. Slight natural drone drift, never mechanically frozen, no lens flare artefacts, no rolling shutter skew.

CONSTRAINTS: the structure never deforms, the two towers keep their exact inward lean, the cantilever stays horizontal and rectangular, the diagrid stays a regular continuous diamond lattice at constant scale, the great opening stays empty with sky visible through it at all times. One single building, never duplicated. No people, no text, no logos, no watermarks, no broadcast branding, no subtitles, no on-screen graphics. No cuts, no dissolve, no speed ramp, no added objects, no birds, no aircraft.

prompt_clip2_v1

An aerial drone shot, cinematic, photorealistic, one continuous take, no cuts.

LOCATION: the CCTV Headquarters in Beijing, the loop building, seen from the far side after the camera has already passed through its great opening. Two leaning towers, both about two hundred and thirty metres tall, tilt inward and are joined at the top by a massive horizontal cantilever, so the whole structure reads as one continuous folded ribbon bent into a three-dimensional loop, with a huge rectangular opening between the two legs high above the ground, sky passing straight through it. The facade is a dark blue-grey glass curtain wall on a silver-grey diagonal diagrid: a regular diamond lattice of mullions, uniform in scale, continuous across every face. Lower podium blocks at the base, flat roofs carrying white satellite dishes. Elevated expressway with traffic below, landscaped strip, surrounding towers falling away into haze.

ENVIRONMENT: blue hour deepening toward night, the horizon still holding a thin band of warm amber, the zenith a deep indigo, the city below switching on: street lights strung along the expressway, windows in the surrounding towers lighting up in scattered grids, the low cloud overhead still faintly lit from beneath.

CAMERA: one continuous grand orbit, the drone is never seen. It starts close to the inner face of the cantilever, so close that the diagrid fills the entire frame and the edge of the structure cuts a hard diagonal across the sky. It then banks outward and begins a wide, smooth three-quarter orbit around the whole loop, climbing gently, keeping the building locked near the centre of frame while the background city slides the other way. The orbit opens up gradually: the near tower, then the cantilever, then the far tower swing past in sequence, each occluding the others, so the true three-dimensional form reveals itself through parallax rather than through rotation. In the final seconds the drone pulls back and up into a wide establishing frame, the entire loop standing alone against the glowing horizon and the darkening skyline, its inner faces filled with warm windows and its silhouette crisp.

LIGHTING AND ATMOSPHERE: warm rim light on the outer edges, cold blue ambient inside the loop, the diagrid drawing continuous chains of specular highlights that crawl along the surface as the orbit proceeds, warm window grids glowing from within, thin haze layering the city behind in three depths, red aircraft warning lights at the roof corners, slight natural drone drift, no lens flare artefacts, no rolling shutter skew.

CONSTRAINTS: the structure never deforms, the two towers keep their exact inward lean, the cantilever stays horizontal and rectangular, the diagrid stays a regular continuous diamond lattice at constant scale, the great opening stays empty with sky visible through it at all times. One single building, never duplicated. No people, no text, no logos, no watermarks, no broadcast branding, no on-screen graphics. No cuts, no dissolve, no speed ramp, no added objects, no birds, no aircraft.

END FRAME: a wide symmetric establishing view of the entire loop building centred in frame, sky above, skyline below, nothing else in the foreground.

你们说要不要给她在腰部加个tatoo呢？
Youtube Video

是王思聪那台机器吗？

@exe127 说:

@koala 請教大哥, 你有一篇是獨立分享7900xtx在comfyui上每個細項是用什麼模型的嗎? 我在win11安裝comfyui後, comfyui內建就已經有給AMD用的文字生視頻工作流. 但我插上各種模型後卻跑不通. 我搜過貼子了, 但仍未找到. 謝謝你

Windows的就方便了，去找机智波罗的整合包就行，不懂用看他的视频，都帮你相到处理好了。
AMD专用ComfyUI整合包：机智整合包V6，搭配ROCm10.0 + 最新版ComfyUI0.37.2！
https://www.bilibili.com/video/BV1VjaN6SEPP?spm_id_from=333.788.videopod.sections&vd_source=13d8a8989a400cc79d747bd5d3e71bef

机智整合包下载链接：https://pan.quark.cn/s/45cb6646134e

@terry 说:

最后，你用什么IMac和这个话题有什么关系？

我表达的是他的兼容性，市面上的客户端基本都要求你使用 macOS12.0 以上的版本才能使用，workbuddy就没有这个问题，向下兼容一直很好，macOS11的版本也能正常使用。

这个帖子我修改过几个地方，比如我修改的措辞和表达 文字或者是图片，每次提交完成之后又跳回到最初的版本了。不清楚是什么情况。

我跟孩子的说法是，AI目前是增效工具、图书馆和百事通，虽然他很强大，但是并不意味着你不需要知道框架和基本原理。并不是所有的地方都能像中国一样那么太平，和平年代你可以处处依赖AI，那突然有一天打仗了，停电了，你怎么办？还是需要积累原始的人类基本生存能力，所以基础知识的学习需要你烙印在骨子里面，学习完成时候可以使用AI提升效率。

关于楼主的困惑：我们好像还没有一套比较统一的体系，去让孩子真正理解这个新的时代。

你直接把“帮我设计一套体系，去让孩子真正理解这个新的时代”，丢给AI，方案就出来了。^-^

这个还是需要先拆掉，直接装到水冷里面，我很想知道这样还有没有保修

看着安装就解压，虽然我自己安装7900XTX的时候，也挺解压的，就是没有这个的含金量高。
Youtube Video

一个东西火不火，体感很重要，体感完了呢？剩下的就该拿数据来说话了。当然，你也可以说商业运作，谁家商业运作能超过第二名近2倍的数量，你放心，年底你在大厂你也绝对能拿S评级，15个月的工资少不了你的。如果你说这个排名也是买的，就是商业的结果，那就没啥讨论的必要了。

腾讯本来就是赛马机制，龙虾出来的时候codebuddy都还没火，我记得2年前我用得最开心的事国内版的Trae，别管豆包有多蠢，但是免费不限流，比现在动不动排队强。那个时候免费开发工具里面字节绝对领先，国内的产品不是限流就是只给你体验的算力。Qclaw和workbuddy是同一时期出来的产品。随着龙虾的过气，Qclaw最终合并到了workbuddy。为什么会这样，这个是市场的选择。你做的平台易用性决定了用户数量的门槛，你搞一堆专业术语和技术墙在那，用户量怎么起来。更何况，技术宅都在玩更高级的claudecode，谁愿意玩这些平民化的玩具。
那句话怎么说来着？能把梳子卖给和尚才是你的本事。如果你不能，人家做成功了，恭喜就好，没有必要酸人家。

我从我的观察来说他为什么能火：
1、算力免费，workbuddy从7月6日开始，免费使用HY3模型，当前是什么时候，各家算力正在能大量卖钱的时候，人家HY3免费给你用，算不算福祉？大善人好不好？Trae现在每日给的用量都不够我查个bug的。

不但大模型免费，还给你免费送积分，可以用最低的消耗使用deepseek。

这个是我三个月的用量，可以拿去算算看值多少钱。你说他蠢，deepseek蠢不蠢？

2、易用性，所有你能想得到的场景都集成了初始化相当好的接口，对小白来说极度友好。这还不够吗？又不是所有的人都是大牛。

3、兼容性，我的iMac，算是14年前的顶配，硬件过时了，系统已经卡死在11.7.11，完全无法升级，其他各家所有的AI终端，基本都要求你升级到OS 12.0以上才能使用，（Trae我还是找到工程师，拿到最后一个适配版本，强行拒绝更新才能使用到现在）。为了使用一个软件，我得重换一台电脑？不是这个逻辑吧？

关于隐私，人家提供了本地算力接口，你直接使用你本地的算力即可，莫非你说这样他还继续上传了你的隐私？能不能先摸摸产品的实际情况再聊？

用他来写小说或者剧本，用comfyui来生成，完美

@williamlouis 谢谢，原来是这样放的，搞半天我没搞明白，下次会了